| Comments | By
Lil Buddy @
Wednesday, February 07, 2007 3:52 PM
|
i agree. there is a fine line between what YOU feel your beat is worth and what other people may feel it is worth. also, know who you are selling to, especially if the beat is sold "exclusive". you don't want your hard work to be ruined by someone who doesn't know what they are doing. but you do have to find that area where you can make a decent profit and still get consumers...until you build your clientele up
yep yep
|
|
|
By
Nyquist1 @
Thursday, February 08, 2007 3:20 AM
| |
lol... you just broke down the law of demand.
|
|
|
By
Lil Buddy @
Thursday, February 08, 2007 10:18 AM
|
lol..he sure did...guns and butter.
is this an economics class or a production site...which one?? lol
yep yep
|
|
|
By
Erap @
Sunday, February 11, 2007 5:00 PM
| |
yeah i think your right but it also depends on the quality of the beat if you have a fat ass beat people will pay what ever your asking for.
|
|
|
By
noeLLY @
Tuesday, February 13, 2007 8:58 AM
|
what do american underground producers charge for a beat?
Here in sweden we cant demand much at all :/
|
|
|
By
artistsmb727 @
Monday, February 19, 2007 7:05 PM
| |
When noone knows you you must start small and after you become popular and in demand then you up your prices and will be expected too, even by your customers.
|
|
|
By
Badd Luck @
Thursday, March 08, 2007 9:24 AM
| |
By
Djice @
Tuesday, March 13, 2007 4:35 PM
| |
Good advice.... if you're just starting. sell low once people start asking for more up your price to weed out the not so serious people. More money less work is always good :-)
|
|
|
By
superthugg @
Monday, April 09, 2007 9:35 AM
|
I live in the dirty south (Alabama) and I want to know where can I go to sell my beats?
Online or Street?
|
|
|
By
KidCrazy4 @
Monday, April 30, 2007 12:18 AM
| |
I think that there should be a section on this site dedicated to selling beats and making contracts (the business side of it) and it may sound crazy but even maybe a tutorial on it, because this information is great, and when people come over to your house they say " you make beats? cool" but selling beats is like the next step towards being an actual producer as well. but anyways thanks for the article is was informative.
|
|
|
By
nile_lata @
Sunday, May 13, 2007 5:22 AM
| |
to answer superthugg's question: if you're selling your beats online, I recommend givemebeats.com, then just apply nfx's theory to it. You can sell the beats non-exclusive to multiple people without "letting the song go." As far as exclusive, I've sold a beat for $200 as an exclusive, but the medloy was just simple and hot; didn't really lose anything. I wouldn't do $1000 unless you're directly working with someone you know is good for the money up front. You can at least charge them to use your studio... Also to superthugg, etc. : work out a deal with your DJ shop. People come there to buy beats anyway, right? If you can get your stuff pressed on wax - $$$.
|
|
|
By
Passe Andrei @
Monday, June 18, 2007 9:52 AM
| |
A very interesting article,I might say...Well here in Romania when you sell a beat you sell it at the price of the location.I know a person who produces for a famous romanian rapper,to whom he sells beats for 1000$,but on the streets he sells them from 10 to 30$,because that's the general price area.Another thing,when you sell a beat it cuts you off from any copyright,you only beeing mentioned as the produce,the beat is sold only exclusive...and about the price again...it is established by to issues:The program you've made the beat with(all beats are gennerally sold as projects not wavs) and the artists that you've sold beats to...and that's about all I've had to say.
|
|
|
By
Jules @
Monday, September 03, 2007 12:09 PM
| |
Might be a dumb question, but doesn't selling beats as project files mean not only saying good-bye to copyrights, but also allowing modifications to the beat to an extent degree. Sure, mixing and mastering the voice part is simpler using project files, I think I wouldn't wanna let go of my beats that way.
|
|
|
By
nfx @
Monday, September 03, 2007 2:15 PM
| |
no. it would be like saying if you sold a book you have written, then you are giving away the copyright. Basically anything you create in a material form (can't just be an idea) is copyright by you. You must explicitly give the copyright to someone else. THIS IS NOT LEGAL ADVICE AND I AM NOT A LAWYER
|
|
|
By
housedupbeatz @
Friday, September 07, 2007 7:24 PM
| |
goood info their! another thing is just say i want to remix a big producers project and get all his samples do you think they chareg im sure they do or how would you go about asking them or their company?
|
|
|
By
bgurl3192 @
Saturday, September 08, 2007 12:24 PM
| |
so how much would you charge for some major ppl in the industry like r.kelly, chris brown, beyonce or in other words someone who has gone platinum?
|
|
|
By
bgurl3192 @
Saturday, September 08, 2007 12:25 PM
| |
so how much would you charge for some major ppl in the industry like r.kelly, chris brown, beyonce or in other words someone who has gone platinum?
|
|
|
By
bgurl3192 @
Saturday, September 08, 2007 12:25 PM
| |
so how much would you charge for some major ppl in the industry like r.kelly, chris brown, beyonce or in other words someone who has gone platinum?
|
|
|
By
bgurl3192 @
Saturday, September 08, 2007 12:26 PM
| |
so how much would you charge for some major ppl in the industry like r.kelly, chris brown, beyonce or in other words someone who has gone platinum?
|
|
|
By
bgurl3192 @
Saturday, September 08, 2007 12:26 PM
| |
so how much would you charge for some major ppl in the industry like r.kelly, chris brown, beyonce or in other words someone who has gone platinum?
|
|
|
By
bgurl3192 @
Saturday, September 08, 2007 12:26 PM
| |
so how much would you charge for some major ppl in the industry like r.kelly, chris brown, beyonce or in other words someone who has gone platinum?
|
|
|
By
fagsauce @
Monday, September 17, 2007 1:50 AM
| |
I had an artist wanting to buy exclusive rights time and he wanted the fruityloops file. I was worried that he was going to claim to have produced the track because he made some changes to it, so I did not sell him the beat. what i'm wondering is if it is normal to give people the fruityloops file when they purchase exclusive rights.
|
|
|
By
fagsauce @
Monday, September 17, 2007 1:50 AM
| |
I had an artist wanting to buy exclusive rights time and he wanted the fruityloops file. I was worried that he was going to claim to have produced the track because he made some changes to it, so I did not sell him the beat. what i'm wondering is if it is normal to give people the fruityloops file when they purchase exclusive rights.
|
|
|
By
uniquejay @
Wednesday, January 02, 2008 8:53 PM
|
Very Good Article...
thanks for posting =D
-Unique Jay Ski Mask Mob / Ski Mask Productions
|
|
|
By
jgjg2233 @
Monday, October 13, 2008 12:47 PM
|
what is all included when u make a contact
how does it all work?
anyone gotta site that i can read up on that?
|
|
|
By
ceased @
Monday, November 10, 2008 8:28 PM
| |
I don't believe in having set prices for beats. I let people ask me how much a joint costs, and I try to work around their budget depending on how established they are. If you get an album placement with a major artist, then you can get 5k and up off of one beat easily, but less established artists or locals, I usually charge $50 for leasing and anywhere between $100 - $200 for exclusive rights.
|
|
|
By
ZephyrostheGod @
Tuesday, November 25, 2008 7:29 PM
| |
You dont sell the FLP file. Before trying to place beats (not sell to industry) place through either A&R's or a contact you should have a copyright on your track. What the actual transaction is for the highest quality version of your instrumental. What any real artist will know is they need the stems or all the sounds in the song waved out to mix with their engineer.
|
|
|
By
AMPONE @
Monday, December 22, 2008 12:18 PM
| |
My advice to anyone looking to sell beats, is to treat it like any full-ledged, successful business, which means insuring that no matter what, your interests will be protected. Go sign up with ASCAP, and get your material licensed. Registration is only 25 bucks for a composer license, but the licensing fee per submission varies. Anyhow, do it, because that helps to make sure to ge what's yours in case the song becomes some big hit. Also, if you are a beatmaker, you might want to branch off into the areas of songwriting, and actually producing, as there is a difference in beatmaking and actual producing. If you can rap, do it. Make yourself hot, and people will look for YOU...make yourself indispensible and accountable, and you'll be in demand and getting paid. That's the route I was told was best, and the one that I plan to follow, as it makes the most sense to me...others may feel otherwise
|
|
|
By
epicbeatz @
Wednesday, December 31, 2008 12:55 AM
|
3500 is the least you can expect for a major label placement, half upfront, half ont he back end after the artist recoups their expenses, which can take time
and 3% royalties for that track
|
|
|
You must be logged in to post a comment. You can login here |
|